Detailed Information
The Grand Tour
The Grand Tour through France and Italy became a popular journey made by the classically educated male members of the northern European ruling class to complete their education. This course will trace the origins of the practice and its development with a particular emphasis on the artistic experience of the traveller. Further areas including historical and social context will be discussed along with the specific goals of the travels which included learning languages and good manners and forming a deeper understanding of the politics of other countries.
From the 17th century onwards the Grand Tour often focused on the admiration of classical and Renaissance art as an essential part of a gentleman’s education. These tourists often bought pieces of antique sculpture or commissioned artworks to bring back; sometimes they would even bring an artist or architect home with them.
Artists to be discussed include Canova and Canaletto as well as Irish artists like Hugh Douglas Hamilton. There will be one visit to the National Gallery which has an impressive collection of works connected with the Grand Tour.
Sept 27, Oct 04, 11, 18, 25, Nov 01, 08, 15
8 Tuesdays
14.00 - 16.00pm
Visit to National Gallery of Ireland tbc
The Grand Tour
16th, 17th and 18th Century European Art and History
European Ruling Class
History of Education
Classical Art
Renaissance Art
The National Gallery of Ireland
Irish Artists
Irish Noblity
At the end of this course, students should be able to outline the concept of the Grand Tour and recognise its significance within art history. They should also be able to place the practice within a broader historical context and understand the overall theories behind it. Students will be able to confidently discuss the key artists and works and in particular demonstrate a greater understanding of the relevant paintings in the collection of the National Gallery.
Jessica Fahy has been teaching for over ten years, working as a tutor for the Adult Education Centre and for the National Gallery of Ireland. She has taught a wide range of courses, covering various areas of the History of European Art. She has a MLitt from UCD and completed her MA at the Courtauld Institute of Art, London.